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I want it to feel like real kissing, like they’re actually kissing.
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"I always tell the directors, I don’t want to see two men mashing their faces together. And Connor and his hookup kiss like real people kiss, which Nowalk told me, in a phone interview, is definitely deliberate. (Not even House of Cards dared venture into how, exactly, that second season threesome went down.) But here is this show, on broadcast primetime, referring to such intimate things out in the open, as plainly as anything else. Even on cable, such allusions remain pretty taboo. And he says to his conquest, “This time I do you.” Which, of course, refers pretty explicitly to mechanical matters of gay sex in a way that I never thought I would see on a non-cable channel. In the second episode he returns for more, but just for fun. In the first episode, Connor seduces a man to get a leg up in one of Annalise’s cases. Not because it’s so rare to have a gay person on network television these days, but because Jack Falahee’s ambitious, underhanded Connor Walsh is, like Davis’s character, allowed to be both good and bad, saint and sinner.
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But wait, there’s more! There’s also a gay character, and it’s there, for my own selfish reasons, that How to Get Away with Murder really caught my attention.
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There are two other actors of color playing leads on the show, which already makes the series one of the more diverse on the Big Four networks. But it is not content to just do one thing boldly, to defy one creaky, ugly cultural norm. So HTGAWM is revolutionary, yes revolutionary, in that regard. That kind of character is a rare find for Davis, who despite her considerable talents and Juilliard pedigree has been largely pushed into roles that offer support or dole out exposition. Tenacious law professor/trial lawyer Annalise Keating has agency and depth she has an active, conflicted sex life, she schemes, she champions, is both noble and flawed.
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This is a 49-year-old, dark-skinned black woman leading a show on a big broadcast network in one of the best time slots on the schedule. Yes, it’s on a Secret History-esque law school thriller about sex and murder, but who cares. Obviously, it is a rather large milestone that the show’s star is Viola Davis, a twice Oscar-nominated actress who finally has a dense, knotty lead role to contend with. And it’s on ABC!Ĭreated by former Grey’s Anatomy writer Peter Nowalk, HTGAWM, as it’s acronymed, represents what I hope will be a sea change in broadcast television. In many ways it’s the boldest, nerviest show on television at the moment. Her contributions, her advancements, which are actually myriad, may be on no better display than on the new series she executive produces, How to Get Away with Murder. But that does not mean that I can’t appreciate all that she and her brand of snappy soap have done for television, for culture, even. I do not pray at the church of Shonda Rhimes, holy savior of network television, or at least ABC, though she may be.
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I can tell the difference between McSteamy and McDreamy, I know what “Earn me” and “wine and popcorn” mean, but only because I’m on Twitter and it’s impossible to avoid that stuff.